SITE RATING: 4/10
SITE REVIEW:
Just
as I get a little leary when a recording trumpets its technical prowess
over its content, I also get a mite suspicious when a Messiah
justifies its existence by claiming it has some special "spiritual
dispensation" over other recordings. This 2002 performance,
conducted by Ron Zarchi and marketed by the evangelical Curtain Call
Productions, advertises itself as being "a miraculous work recorded
live at a miraculous place" - as if this particular performance
is worthy of owning based solely upon its location. My suspicions
increased during the opening credits, which strongly implied that Messiah
was written as an evangelical work - which would have surprised
George Frideric Handel, who caused a serious uproar among London clergy
by originally performing it in public theaters and sung by
publicly-vilified actors. Regardless, this is a very amateur
performance, with soloists who are swallowed and shrill, (alto Irena
Strebin, bass Daivd Zaba), given over to excessive ornamentation (tenor
Boaz Davidoff), a choir (the merely competent Upper Galilee Choir) who
is entirely swallowed in the shockingly dim acoustics of the
Benedictine Church, and a surprisingly poor recording, often switching
the recorded sound from close to natural acoustics, often during a
single aria! Zarchi's tempos are all quite safe and moderate,
bringing neither fire or particular grace to the proceedings. In
short, instead of this being an inspirational performance, it's instead
a frustrating one, with very poor recorded sound, sub-par soloists, and
a stridently religious aftertaste.
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