SITE RATING: 8/10
SITE REVIEW:
I'm
not certain why this 1980 recording performed by The Smithsonian
Chamber Players, The American Boychoir and ably conducted by James
Weaver hasn't remained in print. One of the very few American
recordings to feature a boy choir taking the lead part in Messiah,
and played on period instruments, this performance has many strong
points, including a alternately sensitive, fiery turn by countertenor
Jeffrey Gall - I found his performance of "Thou art gone up on high"
completely masterful, while alto Elvira Green equally matches him.
Alternately, bass Leslie Guinn is far too bright and "American"
for my tastes, sounding more like a Broadway belter than a classical
stylist, giving aggressive, pointed readings to most of his arias, but
tenor Charles Bressler is wonderful - possessing gorgeously-hued tones
and a bravura sense of style. Soprano Carole Bogard sounds
detached and clinical in her readings, and seems to be recorded closer
than her fellow soloists, accentuating her forward, unflattering sound.
The American Boychoir, who is supported by members of The Norman
Scribner Chorus, is fully up to the task of tackling the difficult Messiah
choruses, providing a somewhat richer, full-blooded tone than heard in
the English choir tradition. Weaver's direction is very clean - his
tempos and direction are straight and mannered - eschewing the bright,
fast tempos of modern baroque styling, but not falling into Victorian
largess - rather finding a comfortable middle ground which I found very
approachable, if a little deliberate. I found this to be a very
interesting performance, with the performances of the choir and some of
the soloists well worth seeking out, and a Messiah that I hope will soon be available on CD in remastered sound.
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