SITE RATING: 4/10
SITE REVIEW:
Well,
it sure doesn't take long for recordings to become "classics" in
Scandinavia - recorded in 1999 and released on the Classico label, and
re-released a mere seven years later by German-label The International
Music Company, this CD was put out as part of the "Scandinavian
Classics" series. If you had any question that this is a
Scandinavian product, all doubts are put to rest due to the prominent
depiction of Hans Christian Andersen's "Little Mermaid" statue on the
front cover, as well as a full-insert picture of the statue inside!
That aside, this is certainly a competent recording - Morton
Topp
conducts the Akademisk Orkester and Choir with plenty of verve, with
tempos that sound faster than is necessary, and a general
heavy-handedness to everything that strips this Messiah of it's
lightness and joy, and turns this recording into a bit of a chore.
There is also a strange Italian flavor to the performance,
with
the Pifa in particular sounding a bit Bellini-esque. Soprano
Bodil Arnesen is spread thin on her high notes, tenor Michael
Kristensen is a bit flat-toned in his performance, bass Hans Lawaetz
seems to struggle with his breathing and sustaining, and alto Ulla
Kudsk Jensen is far too dry and toothless in her performance.
The
Akademisk Orkester struggles with line and phrasing, and the Choir is
very indistinct and muddy, despite having a pleasing tone.
I'm
afraid that if this is what the Scandinavian's consider a "classic"
recording of Messiah,
I'll wait for the next Renaissance.
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