SITE RATING: 7/10
SITE REVIEW:
The American Bach Soloists entry into the Messiah
oeuvre is difficult to judge, since on one hand, it is a beautifully
recorded, expertly performed, and generally well-regarded release.
On the other hand, it left me feeling quite unmoved. There
is much to admire, yet not much to love with this recording - director
Jeffrey Thomas has opted to perform the 1741 "Autograph Score" version,
which has numerous, small changes which will catch the ear of long-time
Messiah listeners, and Thomas's tempi often feel rushed, pushed beyond
the needs of the song. What makes this recording truly special is
two-fold: the clarity of the recorded sound - for a live performance,
this is easily one of the cleanest, most separated Messiah's I've ever
heard. Everything is quite close and balanced. Secondly,
the choir, orchestra and soloists sound absolutely unified and at ease
with the demands of the swift tempi and melismas. But the
director appears to have given the soloists a very free hand with their
ornamentation, which some find admirable, but I often found distracting
and vain. The entire ensemble has a preening, proud manner about
it, as if to say: "Handel never sounded THIS good." Again, hard
to quantify, but a feeling I could not shake. The American Bach
Soloists Messiah has all the qualities of a stunningly beautiful, icy, Diva - lovely to look at, but cold, hard, and unapprochable.
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