SITE RATING: 8/10
SITE REVIEW:
This is a very solid, sure performance of Messiah,
as performed by The Boston Baroque under the baton of Martin Pearlman.
The liner notes make particular mention of the thought that went
into assembling the forces, both for size and sound, and as a result of
their thoughtful efforts, this Messiah sounds very easy and assured.
Tenor Bruce Fowler is a heroic, powerful presence, the Boston
Baroque plays and sings with mature confidence and control, again,
perhaps with a touch of ...shall I say "smugness" at the surety of
their sound, but when you sound this good, much is forgiven. Of
the other soloists, alto Catherine Robbin sings with a pleasantly light
tessatura, which I much prefer over darker tones; soprano Karen Clift
is a bit bright in her tone for my tastes, and pronounces her vowels
with occasional affectedness (pronouncing "gospel" as "gos-SPELL");
while bass Victor Ledbetter is an almost proto-typical Wagnerian bass,
all bluster and throatiness. The digital sound is no longer
state-of-the-art, sounding a bit compressed and dim when compared to more recent
releases, but has wonderful separation and clarity. This is a
marvelous Messiah which should easily please most, certainly belongs
in all Messiah collections, and could be considered a first choice for
the novice.
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