SITE RATING: 6/10
SITE REVIEW:
A
populist Messiah
sung with all the gravitas of "Old Man
River", the behemoth Mormon
Tabernacle Choir and thunderous Philadelphia Orchestra power through
under the baton of Eugene Ormandy. There seems to be little
middle ground among listeners with this recording, they either love it,
or dismiss it out
of hand. It was a raging best-seller during its day, and has
never
been out of print since it's release, continuing to place among the top
five best-selling Messiah's. Ormandy embraces all of
the
American largess that had crept into Handel's work in the previous
decades, without succumbing to the revisionist extremes of Thomas
Beecham's even more expansive reading. Of the soloists,
William Warfield is the star of the recording, giving his solos an
evangelical passion that's extraordinarily stirring, even
now. Tenor
Davis Cunningham gives a natural, unstudied reading that I find quite
compelling.
Matha Lipton emotes everything within sight with her
rich, overly ripe contralto, while Eileen Farrell is given
little to do, but makes a strong statement with "His Yoke Is Easy" and
"I Know That My Redeemer Liveth". The
Choir is also remarkable here, singing with, if not great technique,
then great spirit and power, giving an unreserved punch to the great
choruses, and a celestial serenity to the slower passages. It
almost
makes up for their overpowering western American
consonant-chewing.
Buyers must also be aware that despite being a
double-disc
set,
this is essentially a highlights set, with almost half of the oratorio
cut, and
nary a baroque instrument or ornamentation to be heard.
Possibly the most earnest, sincere Messiah
ever captured.
~ BDW
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