SITE RATING:
7/10
SITE REVIEW:
This live 2004 recording by Moscow-based Ensemble XXI
under the direction of Lygia O'Riordan has many strong points, most
notably the Ensemble XXI orchestra giving a finely-honed,
historically informed performance, and the soloists and combined choirs
having strong, albeit heavily accented, moments throughout.
Strangely, in the heavy editing which this Messiah has had, it appears
that all alto arias have been sacrificed, whether due to the
unavailability of a soloist, or some artistic choice by the conductor,
is a mystery. This is a swift, light-footed performance, with
O'Riordan keeping things brisk and energetic, and only occasionally
does the performance feel mechanical; the choirs, which combine the
Canotres Minores boy choir and the Maria Struve Children's Capella
bring a bright, fresh energy to their performance, with clean precise
singing, hampered only by pitch and intonation issues relative to the
live setting. The soloists are mostly fine, with tenor Jaewoo Kim
and soprano Ludmilla Shilova having brilliant, commanding tones and
masterful melismas; but bass Kiril Krajushin is a weak entry, with a
thin, malnourished tessitura and swallowed, unsteady melismas, as well
as a distracting regional accent that mangles many of his
pronunciations. Overall, I enjoyed the professionalism of the
orchestra, but the heavy cuts, and previously mentioned faults, keep me
from giving this an unqualified recommendation.
|