SITE RATING: 3/10
SITE REVIEW:
This 1994 recording, led by Owain Arwell Hughes and with a stable
of forces which span the operatic and classical stage, is competent,
but I expected far more from this group of artists. I was frankly
surprised by the slow, deliberate tempo chosen for the opening
Sinfonia, which hearkened back to heavy tempos from the 1950s and
earlier - not the prevailing tempo, thankfully, but the set is hampered
by a heavy-handed style throughout, giving even the swifter tempi a
gravity and weight that drags down the performance. The opening aria by
tenor Thomas Randle further tempered my expectation; Randle sings with
ill-judged harshness - giving a strident tone to what should be joyous
proclamations. The opposite can be stated of bass Williard White,
who sounds past him prime here, slurring his melismas, and revealing a
timbre that, once lustrous, now sounds tired and somewhat thin.
Alto Jean Rigby has a nice, full tone and somewhat thick vibrato,
(a trait shared by all of the soloists), and doesn't connect with the
material, giving a showy, but uninspired reading. Soprano Yvonne
Kenny is similarly dry - reveling in her lustrous vocal, but
conspicuously lacking in deep feeling. The performances of the
Royal Philharmonic Orchestra and Royal Choral Society are the most
hampered by the conducting of Hughes - with the Choir over-singing
nearly everything, and the orchestra reduced to leaden downbeats and
tempi that stubbornly refuse to dance. In my first review of this
album, I was unnecessarily harsh, and having heard other, much poorer
examples in the time since then, this one has risen in my estimation,
but not terribly high; it is an uninspired reading, with heavy
conducting, rote singing, and a dry sonic atmosphere that leaves this
recording near the bottom of the pack.
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