SITE RATING:
5/10
SITE REVIEW:
An out-of-print all-digital recording from Canadian label
Opening Day Records, this 1995 performance features The London Fanshawe
Symphonic Chorus, Gerald Fagan Singers, and Concert Players Orchestra
under the direction of Gerald Fagan. It's a middle-of-the-road
production, with high points including the Concert Players Orchestra,
good recorded sound, competent soloists, and strong moments, but
undercut by severe, persistent intonation problems within the choir,
blocky direction from the conductor, and ornamentation among the
soloists that crosses the line of good taste on several occasions.
I had high hopes in the beginning, with the orchestra giving a
nice turn on the overture, and tenor soloist Mark DuBois showing good
tone on his opening "Comfort Ye", but later he showed a tendency
towards muscling through his melismas, a trait which repeated itself
with bass Gary Relyea; both showing excellent pitch and tonal control,
but exhibiting little sensitivity towards the material - "punching" the
notes with great force, and then both adding ornamentation which added
to the sense of disconnect with the text. There are moments that
shine: DuBois's "Thy Rebuke Hath Broken His Heart" is gorgeous, and the
choir sounds glorious on "Lift Up Your Heads"; but on other moments,
the choir is woefully flat: "For Unto Us A Child Is Born" is painful to
listen to - and other choruses are simply dull and heavy. The
other soloists are only middling, with both Mezzo Soprano Janis Taylor
and Soprano Leslie Fagan sounding a bit chesty and swallowed in their
tone. The recording is so hit and miss, with generous moments of
both, that I can only recommend it to ardent collectors.
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