SITE RATING: 8/10
SITE REVIEW:
Yet another recording of the "Dublin 1742" version of Messiah
on period instruments - this performance by William Christie and Les
Arts Florissants is a very fine performance, with only a couple of
qualities, mostly within the soloists, that keep me from rating this
higher. First issued in 1994, and then again in 1999, the latest
release coming in 2006, showing that this Messiah
is a consistant seller for Harmonia Mundi, and for good reason: the
overall performance is bright, clean and extremely polished - the Les
Arts Florissants is a premiere baroque orchestra, and play with great
style and verve - the choir is small, well dileneated, and beautifully
unified and precise. Of the soloists, Barbara Schlick and
Sandrine Piau and both lovely - light and controlled; tenor Mark
Padmore has a lovely tessatura, but is rather hard-edged and clipped in
his solos; countertenor Andreas Scholl is too "hooty" in his tone for
my tastes, and bass Nathan Berg's tone too covered and throaty.
Christie also makes the happy choice of choosing a treble, Tommy
Williams, in the role of the annunciation angel, and his presence
creates an unusual quality that I enjoy. My personal preferences
for the soloists aside, this is an excellent recording, and I recommend
it most easily. ~ BDW
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