SITE RATING:
6/10
SITE REVIEW:
This 2009 live recording of Messiah under the baton of Woodrow
Bynum, leading the Cathedral Choir of Men and Boys has many strong
points; the chamber orchestra, playing on period instruments, is
excellent, playing with fire and precision. Among the soloists,
tenor Robert Breault has an edge to his voice that I found a little too
piercing; baritone Nathaniel Webster has a fine tone and dramatic
delivery, but lacks fluidity on his melismas. Contralto Kirsten
Solleck is fine, but giving a cold, hard-edged tone to her arias, and
soprano Jennifer Aylmer sings with a ringing, brightness to her tone,
and unfortunately sounds as if her mic is a little "hot" - giving a
shrill quality to her sound. Also, her melismas are thisclose to
spinning out of control, sounding somewhat manic and forced. The
Cathedral Choir of Men and Boys sings with exactness and dedication,
but, as is problematic with many choirs of this arrangement, the basses
tend to overpower the trebles, and again, the recorded sound is very
close and dry, so that individual voices "pop" out of the blend.
Bynum's tempos are bright, light, and energetic, and he keeps the
program moving along at a wonderful clip. While there are some
elements to recommend this recording, the close, intrusive recorded
ambiance and small performance faults throughout keep this from rising
into the upper echelons of recorded Messiahs.
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