SITE RATING: 7/10
SITE REVIEW:
Early-music singer Mark Brown put together this
internationally flavored 1992 Messiah
with generally good results, although it fails to stand out among the
crowd of releases, and is, at this writing, out of print.
Utilizing a Czech orchestra and chorus, and soloists taken
from the English Pro
Cantione Antiqua vocal ensemble, this Messiah is certainly competent,
but strangely uninvolving; Brown's tempos lack spark and shape, leaving
the generally impressive Gioia della Musica Praha ensemble sailing
without a rudder. Among the soloists, soprano Ruth Holton
gives an amazing performance, with a sheer white sound to her tone
that's pure and treble-like in it's effect. Bass Lawrence Albert has
one of the most impressive ranges I've heard, powerful and rumbling on
his bottom notes, but his overall tone left me cool.
Mezzo-soprano Vanessa Williamson has a richer tone, quite
apart from Holton's, and tenor James Griffitt gives the least
impressive performance here, sounding a bit under-rehearsed and thin in
his upper register. The Brensky Academy Choir sounds clean
and gives an impressively clear-sounding English performance, hampered
only by the tame, reigned-in baton of Mark Brown. This album
has enough strong points to warrant a recommendation, but is difficult
to find, and given its overall flavorless direction, can be overlooked
in favor of other recordings.
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