SITE RATING: 8/10
SITE REVIEW:
Although Calvin R. Stapert's Handel's
Messiah: Comfort for God's People
might sound like another book aimed at a primarily Christian audience,
(and it is in fact published at part of the Calvin Institute of
Christian Worship liturgical series), the contents are far more
universal in scope and interest than the title implies. Part
history, part biography, part musicological study, and a large part
given over to textual analysis, the author deftly bridges the gap
between secular and spiritual appreciation for Handel's Messiah;
a bridge that has contributed to its popularity for over two
centuries. In his introduction to the book, the author
acknowledges these disparate elements, and notes the many theories
(some of them truly bizarre), which others have posited in an attempt
to explain Messiah's huge
popularity and unflagging mass appeal. The book then gets to it's
main purpose, which is to clearly and simply lay out Messiah's
genesis, from the rise of the oratorio in England (and elsewhere);
then, a couple of brief essays on the Purpose of Messiah, followed
quickly by the meat of the book, an in-depth, movement-by-movement
study of the text - it's origins, how Handel's musical settings enhance
the meaning of the libretto, and the mood(s) which Handel's music
creates. The author's prose is very clean and easy to read - he
strives to reach the layman audience, although his analysis is never
trite, or "dumbed down" for his readers. For those who are just
beginning to appreciate Messiah,
and wish to delve more deeply into the meaning and purpose and,
ultimately, the power of Handel's work, this book is a welcome,
thoughtful examination.
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