| DESCRIPTION: The Story of Handel's Messiah
1741-1784: A Short Popular History
is a non-scholarly, general interest book aimed at readers who desire
an introduction to Handel's most famous oratorio. Based on
the
intensive investigation undertaken for Shaw's larger and
fully-documented work, A
Textual and Historical Companion to Handel's Messiah,
this book nevertheless contains new material considered not appropriate
to that other book. Contains eight illustrations and fourteen
music examples. |
SITE RATING: 7/10
SITE REVIEW:
Watkins Shaw's 1963 publication, a digression of sorts from
his other book, A
Textual and Historical
Companion to Handel's Messiah,
is a short, somewhat dry examination of the historical placement of
Messiah, as well as a look at some of the musical forms Handel uses.
Within its nine chapters, Shaw discusses the composition of Messiah,
how it appeared in its original form, the Dublin and London premieres,
it subsequent London performances through 1753, the first Foundling
Hospital charity performance, and subsequent renewal of Messiah's
popularity, and its migration outside London through the years 1784,
finishing it's history with the Westminister Abbey Commemoration of
that year. Despite the relatively short time span which the
book
encompasses, the forty-three year timespan is adequate to show how Messiah
flourished and grew in popularity, becoming a cornerstone of Baroque
literature, and moreover, a beloved, revered centerpiece of English
choral music. More conversational in tone than Shaw's Textual and Historical Companion,
I still found this book to be a bit of a chore to read, with Shaw's
lengthy diversions into specific musical quotations from the score more
attuned to the student musician than to the casual reader, while Shaw's
enthusiasm for Messiah
is not
readily apparent in his rather staid, academic writing style.
Nevertheless, this is a good, solid introduction to Messiah,
with
much useful information.
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