SITE RATING:
4/10
SITE REVIEW:
Aimed at the Christian music market, Getchen Simmons Brown's book
Handel's Messiah: A
Musical, Historical & Theological Study manages to navigate
the many movements of Handel's oratorio in a straightforward manner,
and succeeds, for the most part, to fulfil its self-proclaimed
purpose, giving brief, somewhat enlightening insight into
performing Messiah. Ms.
Brown, who holds degrees in both music education and a masters of
theological studies, clearly intends this book for students of a
similar stripe as her own: she melds basic, reader-friendly music
theory and cheerful ecclesiastical homilies in a somewhat uneasy
side-by-side running commentary, beginning each segment with a
statement of Handel's intentions for the aria or chorus, followed by a
musical example illustrating what she's explaining, and then adding an
impassioned Christian (specifically, Episcopalian) interpretation
of the meaning of the text. I found the joining of the two
distinct schools of thought to be incompatible, with the musicological
side a bit thin, obviously aimed at Messiah
beginners, and the theological treatises a bit gushy and slanted
towards her particular interpretation of the texts, which includes lots
of exclamation points. In fact, the author's most passionate
writings are when she turns to the theological paragraphs, which leads
me to consider the title of the book a bit misleading - the theological
tenants espoused being the primary reason this book exists, and as
such, will most likely appeal to those of the same ecclesiastical mold
as the author.
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